Yrael, the Eighth Bright Shiner (
mogget_cat) wrote2016-06-20 03:00 pm
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OOM: New Orleans with Hannibal and Jim
An optimist might say the day upon the other side of the door is balmy, but only because it's a little too early in the afternoon for it to be called sultry.
And only a little too early. Already halfway down its trek across the sky, the sun's great heat is partially mitigated by the sea-scented breeze off the Gulf and the shade of decorated balconies. Groups of people walk along Bourbon Street in front of the small alleyway in which the door from Milliways appears. The alley entrance is somewhat sheltered from the street by a fire-escape so none notice three dapper gentlemen arriving from nowhere. Faint conversations and laughter and the mingling strains of lively music reach them, and the varied smells of a port city known for its cuisine.
Yrael's green eyes glance up at the roof-edges for a moment as they enter, a half-smile on his face, before he turns to his guests. "Welcome to New Orleans."
And only a little too early. Already halfway down its trek across the sky, the sun's great heat is partially mitigated by the sea-scented breeze off the Gulf and the shade of decorated balconies. Groups of people walk along Bourbon Street in front of the small alleyway in which the door from Milliways appears. The alley entrance is somewhat sheltered from the street by a fire-escape so none notice three dapper gentlemen arriving from nowhere. Faint conversations and laughter and the mingling strains of lively music reach them, and the varied smells of a port city known for its cuisine.
Yrael's green eyes glance up at the roof-edges for a moment as they enter, a half-smile on his face, before he turns to his guests. "Welcome to New Orleans."
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They've spoken before on the subject. Of cultivating challenges and those who might be of use. The feeling passes over the Bright Shiner once again, of wondering what could have been had he found Milliways and its people centuries earlier.
"Though sometimes you might have to go out of your way to cultivate a worthy opponent."
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'I believe you've both met Sherlock.'
The living, breathing, epitome of Jim forcing someone to oppose him for the sheer fun of it. And there's a glance at Hannibal.
'Knowing Milliways, you might mean an actual dragon.'
Fucking place.
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He smiles.
"No, the Dragon in my world is metaphorical -- but no less dangerous and challenging."
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"I believe I have met Sherlock - there was a man who smelled of your London, Jim - and listened to him play his violin. I invited him to use my harpsichord, should he wish to."
"And I have met Will Graham, and Winston. Will Graham spoke of fishing, though I did not see him do so," or else Yrael would have stolen his fish, "and we discussed having complicated friendships."
As you do.
Yrael and Will Graham disagreed on cats and dogs the way Yrael and Sherlock disagreed on the nature of music. But Free Magic by its very nature is opinionated and forever ready to disagree if necessary, and neither meeting ended on bad terms.
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'Yes, he said the two of you had differing opinions. Don't feel maligned, he disagrees with almost everyone, about everything.'
That's his boy.
'I told him you weren't always a cat, so don't be surprised if he knows you if you meet again. As for metaphorical dragons, Hannibal-'
He pulls a face. True danger is difficult to come by, in his world. But he and Hannibal operate very differently. He hasn't pretended to be respectable since he was a teenager.
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"Some metaphorical dragons can cause just as much havoc as literal dragons, with as much malice and cunning, and with more artistry and purpose," Yrael murmurs.
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It's a game he's currently playing. And it's so much fun.
'It's much harder for them to fight something they can't grasp.'
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Sip.
"And then, we will fight."
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His favorite moment is when the opponent realizes they will lose. The look in their eyes is delicious.
"That struggle is the very heart of Free Magic. The strength of one's mind, one's will, set against the will of another. Bending weaker minds and bodies to further one's own purposes."
Most other people are metaphorical tools, anyway, why not make it literal?
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'But if they're always weaker, where's the challenge?'
This is the heart of his problem, always. And he eyes Hannibal.
'Do you already know you'll win?'
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Not even for him.
Not even for the Destroyer.
"Complacency, indulgence, unconcern - those are... understandable, yes, but they are also traps one's mind sets for oneself."
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Of course they're right, logically. He just doesn't feel they're right. He sets his plans before anyone knows anything, and then sits back to watch people dance. No one's been able to counter them because they don't know what's happening until it's too late.
Maybe he should give people a chance. It might make things more interesting.
But for now, he just shrugs.
'Are we eating?'
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"Yessir, can I help you?" she asks.
"Yes, thank you. We have a reservation for a private dining room set for eight o'clock; could you do us a favor and check to see if our table is ready? The reservation's under the name 'White.'"
Because of course it is.
"Certainly, sir," she replies. "Give me one moment and I'll check."
A few words with her colleague and a couple of taps of a keyboard back at her station result in the hostess returning with a more assured smile.
"Sirs, your table is ready. The chefs had just sent word. If you'd be so kind as to follow me?"
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Nice! He's into it. Good choice, Yrael.
(Jim's smile at the hostess is not careful not to overstep, but this is probably not a surprise to anyone.)
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The hostess is good enough to politely ignore any inappropriate smiles from diners, leading the three of them through to one of the private dining rooms thoroughly divorced from the main dining areas. Like much of the restaurant, the room is wreathed in golds and creams and warm brown tones. The sliding doors are dark wood and glass etched in a golden lattice pattern, allowing for privacy and shutting out the sounds of the larger dining rooms behind them and the kitchens somewhere down a hall to the side. The lone table is set for three, the leather of their chairs dark in contrast to the honey-toned wood of the dining table.
The hostess smiles and invites them to sit, pouring ice water for each of them. "Chef Augustin will be with you shortly. Please enjoy your evening."
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'Nice. A man could get up to all sorts in here.'
Not that he's saying he should, or will. He's just saying.
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Out in the main dining room, it's noisy and more crowded. The smells of the food would mix with those of the people, and there's sure to be at least one person with too much cologne or perfume, and someone is likely to recognize the locally famous musician and interrupt the meal, perhaps even with good intentions, or someone will mutter some unkind remark about mutants thinking they're as good as actual people just within earshot, which would necessitate a small change of plans later in the evening....
"Better to enjoy one's time on one's own terms, as much as that is possible."
However outside the lines of typical civilization they may be, none of them are at complete liberty.
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He would also quite like someone to start making rude remarks, because that sort of thing definitely can't go unpunished. But in the absence of people being rude, he'll settle for drinking more alcohol and letting the food experts ruminate over what's on offer.
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There are many culinary delights to choose from, it turns out, as Chef Augustin introduces the list of that day's catches from the Gulf that might in turn catch their interest and suit their tastes: grouper and pompano, flounder and snapper, tunny and striped bass, scallops and oysters. The easy availability and sheer variety of fresh fish to be had in New Orleans is not the least of Yrael's favorite things about the city.
"We came wanting to introduce a friend to the delights of the local cuisine," Yrael tells the chef, who smiles understandingly.
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